- Artist: New World Music
- Album: Intellectual Thinking
- Genre: Soul, Funk
- Released: 2019
- Format: MP3 / FLAC
- Quality: 320Kbps / Lossless
- Size: 133 MB / 384 MB
Tracklist:
01 – Intellectual Thinking
02 – Across the Water (Edit)
03 – Music for All People
04 – Everybody Giggalo
05 – Don’t Hold Your Love
06 – Just Say No (To Drugs)
07 – Never Say You Love Me
08 – Intellectual Thinking (45 RPM)
09 – Just Say No (To Drugs) (Dance Mix)
10 – Across the Water
01 – Intellectual Thinking
02 – Across the Water (Edit)
03 – Music for All People
04 – Everybody Giggalo
05 – Don’t Hold Your Love
06 – Just Say No (To Drugs)
07 – Never Say You Love Me
08 – Intellectual Thinking (45 RPM)
09 – Just Say No (To Drugs) (Dance Mix)
10 – Across the Water
320 kbps | 504 MB | 
![The Vinny Golia Large Ensemble - Portland 1996 (1996) {9 Winds} **[RE-UP]**](http://pxhst.co/avaxhome/2a/2d/001b2d2a_medium.jpeg)
![The Vinny Golia Large Ensemble - Portland 1996 (1996) {9 Winds} **[RE-UP]**](http://pxhst.co/avaxhome/ab/c4/0061c4ab_medium.jpg)
![The Vinny Golia Large Ensemble - Portland 1996 (1996) {9 Winds} **[RE-UP]**](http://pxhst.co/avaxhome/ac/c4/0061c4ac_medium.jpg)
It's just me having fun with my 45's and whatever random record I pull out of the boxes. I will try to give both sides of the 45 unless one side is dull, unbearable or unplayable. I hope you enjoy. (Gyro1966)
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…Further releases soon followed, including singles, EPs (such as the Love Will Grow EP, produced by Radio Birdman's Rob Younger), and full-lengths (1987's best-selling At First Sight Violets Are Blue). Strangely, at the height of their success, the group suddenly disbanded. But over the years, Mariani and Lane have been able to put their differences aside to reunite the Stems for the odd reunion show, including a pair of shows in 1997 (which coincided with the release an archival live release from the good old days, titled Weed Out!: Live at the Old Melbourne). - Artist Biography by Greg Prato
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Formed in Santa Ana in 1962, the Chantays were five high school buddies -- Brian Carman (guitar, vocals), Bob Spickard (guitar, vocals), Bob Marshall (piano, keyboards), Warren Waters (bass), and Bob Welch (drums) -- ranging in age from 13 to 17. Playing local dances, they specialized in surf music, and at least in the beginning were primarily an instrumental outfit. They were spotted and signed up by manager Dale Smallins, and in 1962 Carman and Spickard composed and published a piece entitled "Pipeline," which went on to become one of the biggest and best instrumental surf hits ever recorded. Its simple yet memorable melody and beautiful guitar line -- lyrical yet evoking excitement and motion -- and deceptively complex embellishments, all backed by a highly animated and propulsive bass part, made it naturally appealing in the musical landscape of the time. Additionally, the record had a very natural sound that made it seductive to the ear. One reason for its success may have been the fact that, so the story goes, it was actually recorded in the back of a particular surf shop (where the original master tape was reportedly found more than 25 years later) -- perhaps it was just a practical decision to cut the song there, or they were seeking some kind of psychic verisimilitude, but if it is true, it didn't hurt the finished product one bit.
...His teaming with Bobby Hutcherson was intriguing in that the vibraphonist was marking his territory as a maverick and challenging improviser. Here the two principals prove compatible in that they have a shared sense of how to create sheer beauty in a post-bop world. Add the brilliant Barry Harris to this mix, and that world is fortunate enough to hear these grand masters at their creative peak, stoked by equally extraordinary sidemen like bassist Bob Cranshaw and drummer Billy Higgins, all on loan from Lee Morgan's hitmaking combo. The subtle manner in which Gordon plays melodies or caresses the most recognizable standard has always superseded his ability to ramble through rough-and-tumble bebop. It's hard to resist how Gordon massages the light and sweet bossa nova "Manha de Carnaval" hand in hand with Hutcherson, the heartfelt way "Who Can I Turn To?" or "Everybody's Somebody's Fool" is turned into a personalized statement, or how the co-leaders take Frank Foster's Count Basie staple, "Shiny Stockings," beyond a classic and into immortal territory. Where Gordon and Hutcherson's true strength lies is in their ability to listen and balance their sound into a unified whole beyond any other tenor sax-vibraphone combination you might care to name, unless it's Hutch's partnership in the ensuing years with Harold Land. Picking up on a Sonny Rollins idea, "Heartaches" is a loping cowboy-type swinger with some lustrous comping from Hutcherson and Harris, while the light, cat-prancing "Le Coiffeur" is the highlight among highlights, a stealth calypso with Gordon's deftly rendered staccato notation. One has to listen closer to the pianist on this date, as he buoys the others without demanding equal space, but he is just as reverberant. While this is not Gordon's ultimate hard bop date, it is reflective of his cooling out in Europe, adopting a tonal emphasis more under the surface than in your face. It's not essential, but quite enjoyable, and does mark a turning point in his illustrious career. [The CD version contains two bonus tracks, including the Onzy Matthews composition "Very Saxily Yours" with a melody very similar to "Shiny Stockings," Hutcherson alone during a second chorus, and a classy quarter-to-eighth note solo by Gordon. Ben Tucker's "Flick of a Trick" is added on, an 11-minute groove blues that lets Harris cut loose, digging in after-hours style.] - AllMusic Review by Michael G. Nastos
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